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Behringer Crossover
UGX 1,000,000
Standard
Crossovers
In a passive PA rack, sending one full-range signal everywhere can waste amplifier power and stress speakers. A crossover helps the system behave properly by sending bass to subs and cleaner mid/high content to tops. This is useful for churches, DJs, halls, bars, schools, live bands, clubs, rental companies, and event systems that run separate amplifiers for tops and bass cabinets.
Price
USh 1,000,000
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What this product does well and why it fits the setup.
In a passive PA rack, sending one full-range signal everywhere can waste amplifier power and stress speakers. A crossover helps the system behave properly by sending bass to subs and cleaner mid/high content to tops. This is useful for churches, DJs, halls, bars, schools, live bands, clubs, rental companies, and event systems that run separate amplifiers for tops and bass cabinets.
In a passive PA rack, sending one full-range signal everywhere can waste amplifier power and stress speakers. A crossover helps the system behave properly by sending bass to subs and cleaner mid/high content to tops. This is useful for churches, DJs, halls, bars, schools, live bands, clubs, rental companies, and event systems that run separate amplifiers for tops and bass cabinets.
The Behringer Crossover should be understood as an analog speaker crossover, not a speaker and not an amplifier. It does not power speakers by itself. Its job is to split the audio signal into frequency bands before the signal reaches the amplifiers, so tops receive the higher and mid frequencies while subwoofers receive the low-frequency range they are built to handle.
The catalogue name is broad, so the exact model must be checked before publishing. A Behringer CX2310-style unit is commonly used for stereo 2-way or mono 3-way systems with a subwoofer output. A CX3400-style unit supports more advanced stereo 2-way, stereo 3-way, or mono 4-way crossover layouts depending on version. Those are not the same product, so the final page must match the physical unit.
This product should not be confused with a digital loudspeaker management processor like a dbx DriveRack or EV Dx46. A Behringer crossover is mainly focused on frequency splitting, output levels, mute/phase tools, and model-dependent extras. It usually does not provide AutoEQ, app control, detailed speaker presets, or full system tuning. That simplicity can be good when the rack only needs reliable analog separation.
Behringer SUPER-X PRO references use Linkwitz-Riley 24dB/octave filters. In practical terms, this helps create a cleaner handover between speaker sections. The crossover point still has to be chosen correctly. If tops are crossed too low, they can be pushed with bass they cannot handle. If subs are crossed too high, the bass can become boomy, directional, or unclear.
Depending on the exact model, Behringer crossover features may include subwoofer output or low-sum functions, low cut filtering, phase reverse, output gain controls, x10 range switching, CD horn correction, delay, and output limiters. These controls are useful only when the operator understands the system. Wrong phase, wrong frequency range, or careless output levels can make the PA weak, harsh, or unsafe.
Before this product is published or connected to a real PA system, confirm the physical Behringer model, voltage/power supply, connector condition, switch behavior, knob condition, output routing, and whether it passes clean signal. Wrong crossover wiring or settings can damage drivers, especially tweeters and tops. If the stock item is actually an equalizer, compressor, DriveRack-style processor, or another Behringer unit, the product page must be corrected.
Technical details at a glance.
Brand
Crossovers
Behringer
Catalogue Name
Crossovers
Behringer Crossover
Verification Status
Crossovers
Broad catalogue item; exact Behringer crossover model not confirmed
Reference Family
Crossovers
Behringer SUPER-X PRO crossover series
Reference Models
Crossovers
CX2310 / CX2310 V2 and CX3400 / CX3400 V2
Product Type
Crossovers
Professional analog loudspeaker crossover
System Role
Crossovers
Splits audio into frequency bands before amplifiers for tops, subs, mids, and highs depending on model/configuration
CX2310 Reference Format
Crossovers
Stereo 2-way / mono 3-way crossover with subwoofer output
CX3400 Reference Format
Crossovers
Stereo 2-way, stereo 3-way, and mono 4-way crossover depending on model/version
Filter Type
Crossovers
Linkwitz-Riley filters, 24dB/octave, listed in Behringer crossover references
Reference Inputs / Outputs
Crossovers
XLR connections listed in Behringer SUPER-X PRO references; confirm exact physical unit
Subwoofer Support
Crossovers
CX2310-style subwoofer output or CX3400-style low-sum/mono-sub functions depending on model
Model-Dependent Controls
Crossovers
Output gain, mute, phase reverse, low cut, x10 range switching, CD horn correction, delay, and limiters depending on exact model
Recommended Use
Crossovers
Passive tops and subs systems, churches, DJs, halls, clubs, schools, live bands, rental racks, and event PA systems
Not Recommended For
Crossovers
Users who do not understand routing, crossover frequency, phase, gain, amplifier matching, and speaker protection
Publishing Note
Crossovers
Confirm exact Behringer model, connector type, voltage/power supply, switch/knob condition, and clean signal operation before public publishing
Final purchase guidance and support information.
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